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Category: Fiction

The Case of the Missing Princess and Other Administrative Challenges

An Inspector Camden Ironbell Story

by

Martyn Winters

Ironbell stands near a table in the Royal Council chamber of Brycheiniog. Around the table are four figures: a queen, a lawyer, a priest, and a vampire.

The Ballad of the Field at Caer Dhun. James Jones-Jones Pryce

High over Caer Dhun, the dragons wheeled,

Indifferent to the men below,

Curious only how the field

Would turn, and which way bones would go.

A ragged army, one hundred strong,

Faced down a foe of teeth and song.

A last redoubt

A final stand

A line where Men and Gnomes,

Shoulder to shoulder,

Cried “Onward!” with one voice and hand

A singular band

To defend their homes

Take no prisoners, show no fear

This is the place, this is here.

The goblin host came down the hill,

Ten thousand strong, and louder still,

With trumpets cracked and banners torn

And every weapon ever worn.

A tide

A flood

A press of teeth and rusted blade

That broke against the line we made

Of mud

And blood

And men who would not stand aside.

By noon, the field was dark with crows.

By dusk, the crows had ceased to come,

For even crows will turn from those

Whose names are sung, but not by some.

Above it all, the dragons watched.

They did not stoop.

They did not call.

They marked the field, and marked the cost,

And took no side, and saw it all.

Ask the goblin, where your fathers fell?

He will not answer.

He knows well.

Ask the goblin, where your brothers lie?

He will not meet a stranger’s eye.

There is a field he will not name,

There is a wind he will not face,

There is a song that bears the shame

Of all his fathers, all his race.

And we who stood, and we who fell

At Caer Dhun field, where dragons low,

We do not boast, we do not tell.

We do not need the world to know.

But mark this, goblin, mark this well:

The gnomes remember.

So do we. The field is green.

The wind is still.

The bones beneath remember thee.

Part 1

Ironbell paused outside the council chamber long enough to assess his potential escape routes. Preparedness, even in friendly territory, came as second nature to him. As a practitioner of Gnome-Fu, he lived by the motto, ā€œBetter to forestall than to forsake.ā€ It’s why he still wore his original skin.

He noted the doors were oak, banded in iron, and stood half a head taller than was strictly necessary. The brass handles had been polished that morning, Ironbell could see faint traces of Brassie on them, but not the hinges, which meant, he realised, the council’s budget was being watched. He could hear voices through the wood. Four of them. One was raised, the second was placating, another was coughing in a manner that suggested forty cigarettes a day and no intention of cutting back, and one said very little, just interjections in careful, measured tones. That last one interested him most.

He pushed the doors open and strode in.

The chamber was warmer than the corridor and smelt of burning paraffin, stale cigarette smoke, and the faint almond note of a recently opened tin of Cherry Bakewells. Through the western windows, sunlight fell in slabs, lighting up motes of dust as they turned in the air above the council table. Ironbell registered this automatically, without any conscious effort of will. A trained reflex. Without looking up, he crossed the parquet at his normal pace, the click of his heels announcing him. Stealth was not a requirement on this occasion.

Heads turned. Four of them, as he expected. The Queen was at the top of the table, a sheaf of papers in front of her so thick she had been forced to pinion one corner of it with a dagger. She had been reading, and Ironbell could see she had not been enjoying it. There were dark patches under her eyes that powder had not entirely covered, and she had been twisting the ring on her left hand. Ironbell put both observations in his cognitive reserve.

The Macbethinator

by Martyn R Winters

Will leaned back in his creaky wooden chair, steam from his green tea curling around his beard. With a theatrical groan, he tossed a stapled stack of A4 papers onto the table.

ā€œThey want a rewrite, Ben,ā€ he sighed. ā€œThe script editor, a man with the soul of an old shoe, and the imagination of a month-old brassica, says the pacing is problematic.ā€

Ben Jonson took a sip of his espresso, suppressing a smirk. ā€œProblematic, Will? What exactly did he say?ā€

ā€œHe says the witches are confusing for a modern test-audience demographic,ā€ Will said, his voice steadily rising in pitch. ā€œHe asked if we could make them TikTok influencers. Influencers! Damnable man. Because apparently tragedy needs brand synergy now, whatever that infernal nonsense means. And the blood. He says there’s too much of it. Apparently, focus groups say the ā€˜out, damned spot’ scene tests poorly. They find Lady Macbeth’s mental health journey unrelatable without a redemption arc.ā€

Where there’s muck. By Martyn Winters

A free short story for you to read.

It has been said by wiser people than me there is nothing sadder than an old dog wearing young clothes. That may be true, but how many of them have met a sapient alien plant and solved global warming because of a pair of tight Levis? None right?

It happened early one evening as I was getting ready for a night of beer and voddy shots at McBangs, the second-best night spot in Agadir. The best club is Fountaine’s, but you must be under forty-five to get in, or filthy rich, and I was quack-quack-oops on both those counts.

Anyway, I’d just pulled on my kecks and I heard a snigger coming from near the balcony curtains, which I’d thrown wide to let the sea air waft in because it gave me that heady, by-the-sea ambience which brought me to Agadir. In fact, I’d chosen my hotel, the Biltong Founty, because of its proximity to the ocean. That, and the stellar Trip Advisor reviews, one of which describes the Founty as, ā€œA remarkable hotel with a handcrafted entrance fountain evoking the Portuguese origin of the name, and lobby floors in the Amazigh style, representing the commitment to cultural authenticity.ā€

Detective Inspector Camden Ironbell of the Gnome Office

I’m studying Science Fiction and Fantasy at Cardiff University. This week we were invited to write a short piece, or opening chapter to a longer piece in the style of another writer. I chose to use characters Tom Holt might employ and set it in the world created by Susanna Clarke in her wonderful novel, “Jonathan Strange & Mr Norrell”. It is set about half a century after the events of Clarke’s novel in 1870. England is still at war with France and the denizens of the netherworld have returned to London.

Detective Inspector Camden Ironbell of the Gnome Office

By Martyn Winters

In the normal course of events in 1870, a person of gentle upbringing would not expect to cross paths with a member of His Majesty’s Constabulary while they are conducting an investigation. As rare as such a circumstance might be, it pales somewhat vividly compared to the chances of meeting a constable, or an officer, whose countenance is not that of a solid, square jawed son of London’s East End, but the enlarged nose and unwieldy ears of a gnome. Yet such was the occasion on that strange night of August the 8th when Captain Johannes Millwright emerged from his club on the Mall. Still robed in his dress reds despite receiving his discharge papers that very evening, Millwright cut a fashionable figure as he strode nonchalantly down the steps to pavement level, only to be greeted by shouts of ā€œStop thief,ā€ as two diminutive figures chased a ragged beggar of a man across the road.

Post-apocalyptic Glamping by Martyn R Winters

A tent and a glam chandelier with a comfy sofa set in an apocalyptic scene

ā€œHey groovlings,ā€ Dad said. He was fond of ancient idiomatic terms. I found it cringeable.

He was sat in the front offside seat of our Nisbang Misogynist, which is one of those excessively large vehicles beloved of trades, especially the hyper-masculine ones like Kitchen Cinching. Dad was one of those, you could tell by the big yellow toolbelt he always wore. I’m a librarian-spandicle. Don’t ask, just don’t visit a library in spandex. He says its chick-work, which is okay because I haven’t decided on my gender yet. Maybe I won’t, just to confuse him. He laughs like it’s the funniest joke, which irritates me more than it should. He’s about as funny as a full nappy.

New short story: This guest of summer.

I was just six years old when I discovered my fondness for evisceration. I was sitting in the garden of a gamekeeper’s lodge on the grounds of Blackstone Manor my father rented for the summer: an old cottage with overgrown ivy covering much of its fascia. A floral arch rose over the front door porch, which itself was a paean to a glory long lost to antiquity: large, solid heavy wood, probably oak, with brass furniture, and gloss black paint.